Build God Then We'll Talk Tabulatur von Panic! At The Disco

Bm                     A                  G       G             F#  F       
It's these substandard motels on the (lalalalala) corner of 4th and Fremont
F#
Street. 
Bm        A                               F# G F# 
Appealing only because they are just that un-appealing
G                      F#    F                F# 
Any practiced catholic would cross themselves upon entering.
Bm               A                       G  G      F#      F         F#
The rooms have a hint of asbestos and maybe just a dash of formaldehyde,
Bm      A                    F#    G F#        G     F#        F  F# 
And the habit of decomposing right before your very (lalalala) eyes.

F# (Stop)               Bm
Along with the people inside
D      A        F#  Bm   Em  D   F#
What a wonderful caricature of intimacy
Bm      D      A      F# Bm        Em D   F#      
Inside, what a wonderful caricature of intimacy

G                             Bm
Tonight tenants range from: a lawyer and a virgin
G                    Bm
Rising with a rosary tucked inside her lingerie 
      Em        F#         G         A
She's getting a job at the firm come Monday.
    Em        F#            G        A
The Mrs. will stay with the cheating attorney
    Em       F#         G                A
moonlighting aside, she really needs his money.
  Em        F#            G      A
A wonderful caricature of intimacy.

F#
Yeah (Yeah)

Bm         A            F# G F#                                  Bm    
And not to mention, the constable, and his proposition, for that "virgin"
A                       G            G                 F#
Yes, the one the lawyer met with on "strictly business"
F                    F# Bm         A
as he said to the Mrs., only hours before,
         G         G       F#         F       F#
after he had left, she was fixing her face in a compact.
F#          F# G F#
There was a terrible crash (There was a terrible crash)
Bm      A       
Between her and the badge
                G                  G   F#     F       F#
She spilled her purse and her bag, and held a "purse" of a different kind.

F# (Stop)               Bm
Along with the people inside
D      A        F#  Bm   Em  D   F#
What a wonderful caricature of intimacy
Bm      D      A      F# Bm        Em D   F#      
Inside, what a wonderful caricature of intimacy
F#         
There are no
G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.

G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.

Bm      D      A     F#  Bm         Em D      F#
Inside, what a wonderful caricature of intimacy
Bm      D      A     F#  Bm         Em D      F#
Inside, what a wonderful caricature of intimacy


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.

G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.